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Home  Glossary |
Fine Art Photography Glossary | | This is an ever-evolving glossary of photography related terms. They range from terms involved at the front end of, as Chris Ogden would say, "making" (not "taking") fine art photos, all the way through to Printing Fine Art Photos (ie, ways of bringing the photographer's artistic vision to life via a tangible print). Whether the photography type is stunning landscapes, intriquing abstracts, edgy man vs. nature, or more traditional corporate, commercial, and portraiture - there's something here for most everyone. We've tried to include content to appeal to other photographers (regardless of if you're shooting with a camera phone, a consumer point and click, a pro 35mm DSLR such as Canon 1dS Mark II, digital medium format, etc.) or collectors of Fine Art! | |
| | Showing P's... | | | | | Palladium Print | Platinum and Palladium Prints
A contact print made through a process in which a paper is sensitized with a solution of platinum and iron salts and developed in potassium oxalate. This process, first developed in 1873, was appreciated for its broad scale of middle tones, luminous whites, and high degree of permanency. Among the master photographers in Aperture's Limited Edition Collection who favored platinum printing were Alfred Stieglitz and Paul Strand. Strand took the process to an exalted level when he began hand-coating commercially prepared sheets with his own formula, then gold-toning the resulting prints.
The platinum process survived in commercial form until 1941 when the high cost of this rare metal caused manufacturers to cease production. But the process enjoyed a renaissance during the 1960s when photographers, who appreciated its broad tonal scale, detail, and permanence as well as the un manipulated contact print, began hand-coating papers. The advantages of hand coating include the ability to mix platinum and palladium salts and to use different types of paper, both of which enable the printer to control the tonality of the prints. Palladium is a more economical metal that can be used interchangeably or in combination with platinum in this process. Used alone, it produces prints with warm black to reddish-brown tones. (with thanks to the Aperture Foundation)
| | | | | Photogravure | A highly refined photomechanical process based on the etching, or intaglio, process. A copper or zinc plate dusted with fine granular resin is heated, covered with a sheet of bichromate gelatin tissue and contact-printed with a positive transparency to produce an image. After the gelatin tissue is washed away, the plate is then etched in an acid bath. Due to the interaction of the gelatin with the plate, highlights are resisted by the acid, while shadow areas become deeply etched. When the plate is inked and printed in an etching press, the tonality and details of the original positive are transferred onto paper. The photogravure process was favored by Pictorialst photographers for its rich tonal gradations, high resolution, and ability to translate subtle details. Most of the images in Alfred Stieglitz's Camera Work were reproduced by this process (with thanks to the Aperture Foundation) | | | | | Platinum Print | Platinum and Palladium Prints
A contact print made through a process in which a paper is sensitized with a solution of platinum and iron salts and developed in potassium oxalate. This process, first developed in 1873, was appreciated for its broad scale of middle tones, luminous whites, and high degree of permanency. Among the master photographers in Aperture's Limited Edition Collection who favored platinum printing were Alfred Stieglitz and Paul Strand. Strand took the process to an exalted level when he began hand-coating commercially prepared sheets with his own formula, then gold-toning the resulting prints.
The platinum process survived in commercial form until 1941 when the high cost of this rare metal caused manufacturers to cease production. But the process enjoyed a renaissance during the 1960s when photographers, who appreciated its broad tonal scale, detail, and permanence as well as the un manipulated contact print, began hand-coating papers. The advantages of hand coating include the ability to mix platinum and palladium salts and to use different types of paper, both of which enable the printer to control the tonality of the prints. Palladium is a more economical metal that can be used interchangeably or in combination with platinum in this process. Used alone, it produces prints with warm black to reddish-brown tones. (with thanks to the Aperture Foundation)
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